Dan Winters’ unique ability to sculpt with light has long been a personal inspiration of mine. Now more than ever his work is everywhere. He’s won more awards and contributes to more magazines than I can list. When I was in an airport a few weeks ago I glanced across a wide walkway full of people and caught a glimpse of this Time magazine cover of Tom Hanks on a newsstand. In that split second from some 80 feet away I just new it was Dan’s image. His lighting is so dramatic, so distinct (yet never the same) I just knew it was his.

Austin American-Statesman photographer Jay Janner recently made this portrait of Dan in his Driftwood, TX studio – the first of it’s kind in front of Dan’s handcrafted photo booth in his Driftwood, Texas studio.

FLYP magazine published a great article on his work and career. Highly recommended viewing. Included in the article are two videos where he talks about his devotion to photography and what makes a great portrait.

If you haven’t already I’d encourage you to spend some time at Dan’s website. Better yet, order his book Periodical Photographs from Aperture.

I’ve always been a fan of high-end displays like those from Eizo, Barco, Quato, NEC and the like. At the same time I recognize that these pinnacles of technology are hard for most people to justify. I love discovering displays that are affordable yet meet the demands of the most finicky printmakers. Simply put, some ~$800 displays hold up darn well against $2000+ displays when they are well calibrated and it’s this “best value, high quality” category that I get excited about and often recommend to my clients.

All of these displays use an LED backlit lightsource, IPS LCD panels and eco-conscious materials. These first two technologies are crucial for demanding professionals. The LED lightsource provides consistency across the screen, a boost in color gamut, power savings, lower heat generation and can achieve the lower luminance (brightness) levels that print professionals need. The IPS LCD panel provides a wide viewing angle so that the viewer doesn’t experience the density shifting that’s become so common with laptop and most LCD displays today that use the less expensive TN LCD panel technology. A lot of companies (more…)

My Texas Love Bus image has been selected for the 2010 TPS print program. Those joining at the $225 and higher levels can choose to receive a 17×22 print of this image. If you want a different sized print, you know who to talk to.

LR3beta2 is out! Here are some noteworthy points:

• • Speed is greatly improved.
• • Importing has been improved and refined.
• • Tethering for popular Nikon and Canon cameras is now supported.
• • Watermarking is improved (although still not ideal).
• • Luminance Noise Reduction has been added to complement the new demosaicing and color noise algorithms.
• • New Vignette styles.
• • Adjustment Brush and Gradient tools can now be stacked to strengthen the effect.
• • New Print Layout capabilities with Rotate to fit and Rotate Cell options.
• • Video files can now be imported from DSLRs along with still images.
• • The X key conveniently toggles the orientation in the crop tool.
• • Perspective Control and Soft Proofing are not in this beta (but are in development for future release).
• • While LR3beta1 catalogs can be updated for use in LR3beta2, LR2 catalogs still cannot be. This is after all, a beta release that is not intended, nor recommended for production work.

Commentary
The biggest thing for my own workflow is the speed and overall responsiveness of this release, which is better than any 1.x or 2.x  release. When I upgraded to the 21mp Canon 5Dmark2 I’ve been frustrated with the responsiveness of Lightroom ever since – until now. It’s pretty hard to go back to 2.6 for production work. On high resolution 20+ megapixel files, LR3beta2 is far, far faster – sometimes more than 20 times faster when lots of localized adjustments are used. (more…)

Adobe is releasing the second public beta of Adobe Lightroom 3 today. LR3beta1 users won’t be disappointed as there are a significant number of noteworthy features in the new beta that were not in the first. You will be able to download it from the Adobe Labs Lightroom 3 Beta2 page for details. I’m going to play nice and hold my tongue on the new features until it’s officially released.

Checkout Adobe’s video demonstrating the new features in LR3beta2.

Today is our beloved image editing application’s 20th birthday. Many of us have spent more time with this little app than we have with our own kids. As much as I have loved using Photoshop over the last 20+ years, I look forward to the day that I can retire it. I say this not because I’m tired of Photoshop, but because I’m excited about the future.

Parametric workflows, like those available through Adobe Lightroom, Express Digital Darkroom and Apple Aperture are clearly the way of the future and offer huge productivity advantages over one-image-at-a-time, pixel editing workflows like Photoshop’s. While photographers switch to parametric applications, Photoshop will continue to be an excellent application for non-photographers like designers, architects, 3D professionals, etc.

Happy birthday Photoshop, you have been great. Let’s take a fun ride down memory lane. But let’s not reminisce and look to the past for too long. Let’s stay focused on the future, which for most photographers, lies elsewhere. The future is great – and it’s all parametric.

You know night photography has become mainstream when Apple uses a night image for the default background image on their newest device. Note the star trails near the top! I would guess this is a ~25 minute exposure not too long after sunset considering the daylight glow along the horizon and gentle lighting on the foreground. If anyone knows who’s image is used on the iPad, please let me know.

Update: The iPad background image is licensed from RIchard Misrach. (via Mark Menjivar)

Update: See this in-depth article about the image and Misrach at ARTINFO