Adobe is releasing the second public beta of Adobe Lightroom 3 today. LR3beta1 users won’t be disappointed as there are a significant number of noteworthy features in the new beta that were not in the first. You will be able to download it from the Adobe Labs Lightroom 3 Beta2 page for details. I’m going to play nice and hold my tongue on the new features until it’s officially released.

Checkout Adobe’s video demonstrating the new features in LR3beta2.

Today is our beloved image editing application’s 20th birthday. Many of us have spent more time with this little app than we have with our own kids. As much as I have loved using Photoshop over the last 20+ years, I look forward to the day that I can retire it. I say this not because I’m tired of Photoshop, but because I’m excited about the future.

Parametric workflows, like those available through Adobe Lightroom, Express Digital Darkroom and Apple Aperture are clearly the way of the future and offer huge productivity advantages over one-image-at-a-time, pixel editing workflows like Photoshop’s. While photographers switch to parametric applications, Photoshop will continue to be an excellent application for non-photographers like designers, architects, 3D professionals, etc.

Happy birthday Photoshop, you have been great. Let’s take a fun ride down memory lane. But let’s not reminisce and look to the past for too long. Let’s stay focused on the future, which for most photographers, lies elsewhere. The future is great – and it’s all parametric.

You know night photography has become mainstream when Apple uses a night image for the default background image on their newest device. Note the star trails near the top! I would guess this is a ~25 minute exposure not too long after sunset considering the daylight glow along the horizon and gentle lighting on the foreground. If anyone knows who’s image is used on the iPad, please let me know.

Update: The iPad background image is licensed from RIchard Misrach. (via Mark Menjivar)

Update: See this in-depth article about the image and Misrach at ARTINFO

I’m thrilled to have Calumet choose my “Texas Love Bus” image for their photo of the week. Texas Love Bus is a 2 hour and 8 minute exposure made from 2 to 4am in West Texas. It was a moonless night so the bus was “painted” entirely by flashlight for several minutes. A pack of coyotes howled and played in the foreground during the exposure as I sat and listened in my car a few feet away. They didn’t show up in the final image because they weren’t illuminated on this pitch black night. I was grateful they didn’t bump the tripod as it would have messed up the long star trails I was going for in this shot.

People often ask “what makes the stars go in circles?” when they see this image. The answer is simple: the Earth’s rotation. Star trails are one of the many phenomenal aspects of night photography that we cannot experience with our eyes during the moment. Interested in night photography? Consider joining Lance Keimig and I at one of our night photography workshops in West Texas or California.

August 22-25, Mono Lake, California
led by Lance Keimig and Scott Martin

Lance Keimig and Scott Martin team up to present a four day and night photography workshop at Mono Lake, California. August is a great time to visit this remote location that is a favorite among photographers for its unique geological formations. Mono Lake’s signature monolithic rock structures that extend upward from the lake are ideal for night photography. Other photographic locations may include the dramatic granite moonscapes of Tioga Pass in Yosemite, the Travertine Hot Springs, the town of Bridgeport, and the world famous Bodie Ghost Town.  This year we’re going to get into some advanced night photography topics and really take a close look at light painting and mutli-hour star trail image stacking. Techniques and inspiration will be constantly discussed, demonstrated and put into practice. We will all work closely together, sharing our knowledge and experience.

This workshop will have both field and classroom instruction. We will be in the classroom each day from noon until we leave for the field before sunset. When out in the field, participants can stay out shooting as long as they, or their camera’s batteries, hold out. In the classroom, we’ll critique and develop our work as well as study the work of historical and contemporary night photographers. We will examine a parametric workflow using the latest tools for night photography, from high quality digital image capture, RAW file processing, image stacking and HDR imaging. Light painting, multi-hour exposures, film technology, color management and equipment recommendations will all be discussed. Because this workshop has two instructors, each participant will get lots of attention. Participants should expect to share some of their images for review, as the goal of this workshop is to enjoy the creative process and be inspired to make great images.
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for intermediate and advanced photographers
by appointment in San Antonio, Texas

As a fine art photographer I know the challenges involved with making creative images while simultaneously mastering the technical aspects of workflow, exquisite printmaking and the polish of final packaging. I strive for an even balance of these qualities in my own work, and I enjoy helping others achieve better equilibrium between inspiration and presentation. Sharing my passion for photographic excellence has been driving my training business for over 16 years now.

In addition to on-location training and group workshops, I’d like to start encouraging a third option – private, one-one-one workshops in my printmaking studio. The range of printing equipment, papers, lighting, color management tools and atmosphere provides a training experience that I can’t quite bottle up and take with me to my client’s studios or location workshops.

Private training in my studio isn’t anything new for me, I’ve been offering it since 1999. But the studio has grown and matured over the years. The studio has three main areas – a digital darkroom main room for image development and small format printing making, a larger area for 60″ grand format printing, and a large warehouse area for spraying and packaging final prints. Solux, daylight, incandescent and viewing booth light allows visitors to compare prints under a variety of light sources and grasp the importance of high quality lighting. A range of the latest wide format printers up to 60 inches wide, combined with a variety of papers and media to choose from allows us to produce gorgeous prints that participants can take home with them. Spectrophotometers, colorimeters, RIP software, refreshments, an espresso machine and nearby macrobiotic vegetarian restaurant are all window dressing for this experience.

These private sessions are for intermediate and advanced photographers looking to perfect their process and final product. It’s a great opportunity to work side-by-side on your own images, discussing every aspect of the process and leave with a beautiful print. Email me with your particular needs, thoughts and requirements and I’ll prepare a customized training session for you.

Dates to be announced (TBA) March 2011, Austin TX
presented by Penny De Los Santos, Lynn Johnson and Scott Martin

Penny De La Santos, Lynn Johnson and Scott Martin are combining their talents to present a seven day intensive photography workshop in Austin, Texas overlapping with the South by Southwest Festival. Austin is located at the edge of the Texas hill country and is known for it’s live music scene, progressive atmosphere, swimming holes, green spaces and inviting South Congress neighborhood. The South by Southwest festival is a unique convergence of original music, independent films, and emerging technologies. This week is an ideal time to see Austin through the lens. Temperatures should be perfect ranging from the mid 50s to the mid 70s with moderate to low humidity.

This is a new kind of photography workshop that will help you shape and share the story of your mission whether that is your work, your passion, or your life. We invite you to come to Austin and learn from three photographers with 75 years of combined experience in newspaper, magazine, freelance photojournalism, documentary and fine art photography. (more…)

I’ve been managing color on Lightjet, Durst, ZBE Chromira, Agfa, Kodak and Noritsu machines since the mid-nineties. As a color management consultant with a background in photo lab work, this is close to my heart and an area of specialty for me.  I’ve traveled across several continents consulting with some of the most demanding photo labs in the industry. I’ve also enjoyed a close relationship with Noritsu for over 10 years and have lectured, consulted and trained with them internally. So perhaps I am in a decent position to respond to some comments that I am surprised to hear people make on forums and elsewhere.

“If you want a fully color managed workflow I don’t think any silver halide process will provide that” – anon

Safe to say I’ve implemented fully color managed workflows with every silver halide machine on the market. It’s totally doable and has been for many years, but unfortunately some exceptional know-how can be required. (more…)